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Redeployment Diary 28 December 1995 Gun culture in Ramallah ![]() Postcard from Ramallah
Left: Any picture postcard of Ramallah during the last several years would not have complete without the presence of at least one or two soldiers carrying guns. In a Roman street on a full moon night I was sick and there was a young cop in a circle of yellow light ![]() Children and gunsLeft: Children question departing Israeli soldiers on redeployment day.For many, the occasion and atmosphere offered an opportunity to question the departing soldiers. Palestinians wearing official PNA badges who were working to control the crowds repeatedly broke up these discussions, seeming to want to avoid coverage of this phenomenon. Otherwise, journalists were given full access to the roped-off area. One mark of the 28-year-old occupation has been the fixation of Palestinian children with guns. The Israelis had effectively modelled 'power' to the population. Children play games such as "Checkpoint" and "Soldiers and Shabab" ["youth"] in the local schools. Many young people and others own guns, which entered the Palestinian areas via Israeli drug addicts and dealers, who sold the guns to finance their habit or sales. ![]() Photo OpRight: (hi-res double load image) Three boy scouts proudly pose with pictures of themselves, armed to the teeth, on 28th December 1995.One of the first things people rushed to do after the Palestinian police arrived is get pictures of them taken posing with an AK-47 rifle. On the streets, hundreds of police walk around with rifles, both in and out of uniform, making it hard to distinguish who is on duty. A scene familiar to tourists to West Jerusalem cafés, soldiers sit with rifles propped up against the walls in many of Ramallah's restaurants. In a clear violation of the Oslo 2 accord, rifles are also prevalent in the streets of the nearby village of Birzeit and, at times, significantly more than the 14 rifles allowed inside the police station for its protection in emergency. Click Here for DIARY INDEX Photos: © Nigel Parry. All available. |